Fragments — Archaeological Abstract Paintings

Fragments I–IX explores the surface as a site of memory, erosion, and emergence. Through layered materials—acrylic, sand, textiles, and found elements—each piece reveals a tension between construction and decay, control and rupture.

Horizontal seams, borders, and disrupted fields suggest both landscapes and bodies—forms that are never fully resolved, but continuously forming and dissolving. The works move between the intimate and the geological, where traces of presence appear like relics or maps, holding time within their surface.

Rather than depicting, these paintings invite a slower reading. What is seen shifts: a field becomes a figure, a fracture becomes a path. Each fragment carries its own weight, while together they form a language of material, memory, and transformation.